News and Articles |
Must there be a battle over traditional vs. "contemporary"
music?
by Solveig Holmquist, Director of Choral Activities, Western Oregon University,
Monmouth |
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"There are two lasting bequests we can
give our children: one is roots, and the other is wings." This familiar
inspirational quotation is of course about parenting. There is another,
deeper application, however. It is also a compelling picture of both
the nature and the gifts of God, who is simultaneously "from everlasting
to everlasting" and "making all things new."
There is evidence of this intriguing yet comforting truth
through scripture - and throughout the history of sacred music. Poets
and composers have long been inspired to express insights about God.
Certain fundamental issues are timeless, and it would be foolish to restrict
ourselves to any one historical period (including the present) in our
quest for shared understanding.
Those who defend traditional music in worship, and who
question the wisdom of claims that only the most contemporary musical
styles are relevant, have warned of the danger in "throwing the baby
out with the bath water." This old maxim happens to be another particularly
apt analogy in the discussion. A baby, though new, arrives with a long
genetic history which we call its roots. Human life is meaningless (and
impossible) without its characteristic antecedents. So, too, worship
music must have the roots from our ancestors as well as the wings of
new creation.
In considering the relevance of any worship music, surely
the only requirement must be musical quality. The best music of any era,
performed well, is irresistible because it rings true; defective musical
creations or performances are of limited religious benefit, and really
have no place in worship. Church musicians have the responsibility to
know the difference, and to offer the widest variety of literature possible,
in order to meet the diverse needs of the congregation. |
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Greetings from Wyoming!
Well,
we are finally seeing a hint of spring around the state. It’s
been a long, cold winter here and we are ready for sunshine and warm
weather.
Wyoming
ACDA held its annual business meeting at our state MENC convention
in January. Michael Krueger, chair of the choral department at
the University of Wyoming, will be taking over the presidency of our
state organization in July.
The state ACDA sponsors a state wide
children’s honor choir
annually in June and plans are underway in organizing that event.
The state’s
high school choral directors are in the planning stages for their district
music festivals to be held in April. There are six music districts
in the state which provide the site for our 42 high schools to participate
in this festival. The first day of the festival is set aside for
the large choirs, bands, and orchestras. The second day is
for the solo/ensemble portion of festival. There are also some
opportunities for our middle school/junior high performing groups to
be adjudicated as well, although not a part of every program’s
annual schedule.
There are
seven community colleges in the state, all with active choral programs
available to their students. With only one university in Wyoming, many
of these junior college graduates transfer to the university to finish their
undergraduate degree.
UW has a growing choral program under the direction
of Dr. Michael Krueger. This is Mike’s fourth year at UW and he has
added the Singing Statesmen (about an 80 voice men’s choir) and Jazz Choir. There
is also a Women’s Choir and a University Choir (for the community
singers). The
Collegiate Chorale under Mike’s direction traveled in Europe last
spring and plans are underway to take the Jazz choir to Brazil this fall.
Scholarship funding for resident high school gradutes who might want
to pursue music at the university level is a major concern in our state. The
state is mandating a required high school curriculum in order to be eligible
for this scholarship. Unfortunately,
music courses are not in this list of requirements. With all of
the curriculum demands of these students, there is little room, if any,
for them to be actively involved in our performance groups during their
entire high school tenure. This could be a major detriment to the
performance level of our groups as well as the fact that some of our
most gifted students will choose to take the “required” courses
to be eligible for the scholarship and miss out on a consistent schedule
of practice and performance throughout their high school years.
We are actively speaking with our legislators about this challenge and
hope to provide some breathing room for our gifted students as well.
Well, it’s
back to the “grind” until the end of the year when we can
all enjoy a bit of summer before we seek out those summer clinics and
reading sessions. Our
best to all of you!
Roy Dahlinger
Wyoming ACDA President |
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Orphei
Dranger male chorus to tour Canada and U. S.; looking for two more
bookings
in northwest
"Orphei
Dranger" ( the Sons of
Orpheus), the best known choir of its kind in the world, will be touring
Canada and the US in early November. (For more information see their website.)
The choir, under the direction of Robert Sund, has
made several CD´s and appeared in concert all over the world. The
choir was directed by Eric Ericson until 1990, when Mr. Sund assumed
direction. This will be Robert Sund´s final year with the choir,
so each concert is sure to be a great event.
Currently, the choir is looking for two more concerts
in the Northwest in the first part of November. They will be bringing
75 men, plus or minus. Their fee may be negotiable but is a minimum of
$10,000 USD. If you have any interest in hosting or sponsoring one of
these concerts, or are aware of anyone who does, please contact Bruce
Browne at browne@teleport.com by
May 10.
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National Convention Report
by Scott Peterson
Miami, FL
The Northwestern Division was well represented at the recent national
ACDA convention in Miami, Florida, from March 6 through 10. Three choral
groups from the great Pacific Northwest had tremendously successful performances
on the national stage.
Celebration Vocal Jazz Ensemble from
Bellevue Community College and Groove for Thought from Seattle played
to full houses in concert on two different nights for Jazz Night. Congratulations
to Thomas Almli, Director of Celebration Vocal Jazz Ensemble and
to all the members of Groove For Thought.
The Charles Sprague High
School Choir under the direction of Russ Christiansen completed the Northwest
representation with three concerts at the convention. All performances
were of the highest quality and spoke well to the state of choral music
in the Northwest.
Many members were thrilled with the performance of the Atlanta Symphony
Orchestra and Chorus who performed Nocturnes by Claude Debussy and Symphony
No. 1 "Sea Symphony" conducted by Robert Spano in the The Knight
Concert Hall at the Carnival Center for the Performing Arts. Concerts were
also held in the Jackie Gleason Theater for the Performing Arts in Miami
Beach which was where Gleason broadcast his famous television show in the
early 1960's.
Three members of our division presented interest
sessions: Steven Demorest ("Teaching Musicianship in the Choral Rehearsal");
Jeff Horenstein and Kelly Kunz ("Under the Musical Microscope: Precision
in Jazz Rehearsals").
T here were a dozen students from the Pacific Northwest in the National
Children's Honor Choir conducted by Jean Ashworth Bartle; fifteen
community college students in the Nati onal 2-Year College Honor Choir
conducted by Bruce Rogers and sixteen singers in the National Multicultural
Honor Choir conducted by Rollo Dilworth & Francisco Nunez.
An informal no-host reception was held at the Radisson Hotel on Friday
evening and the turn-out was good. We gathered for some fellowship
and laughter and shared a time with friends and colleagues. One
of the reasons to attend a convention is to catch up with old friends
and it was a success, especially considering we were a continent away.
All in all, the convention seemed to run smoothly and the Great Northwest
was well represented in the performing groups, presenters and attendees.
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Gene Brooks dies July 21, 2007
Letter, below, is from Hilary Apfelstadt, president of ACDA
Greetings, friends,
We are all saddened by the loss of Gene Brooks. His funeral service
will be held Sat., July 28 at First Baptist Church in Oklahoma City at
11 a.m. with burial to follow at Rush Springs, OK immediately
afterwards. Viewing hours will be held Friday evening from 6 - 8
p.m. at the funeral home. Specific details will be available
on the
ACDA website no later than Tuesday morning, along with his
obituary. I will send flowers on behalf of both the National Board
and the Executive Committee to the funeral home once the
information is posted. Nancy Cox has graciously offered to do the
same for the R and S committee.
I realize that many of you cannot attend the funeral but will want to
honor Gene in some way. The Executive Committee will work to
plan a memorial event for Gene during the time of our meetings in
September. If you are planning to come to Oklahoma City
this
weekend and would like help arranging a hotel room, please call
Patsy Long-Jilge, Administrative Assistant, at the office. She will
need only your credit card number and can then make a
reservation for you.
We have held up the August issue of the Choral Journal so that
Gene's death will be acknowledged there as well. Carroll Gonzo
and I spoke earlier today about having a special memorial section
in the November issue of the Choral Journal as well.
The office is open as usual although the staff are grieving for Gene,
as we all do. Please encourage them if you happen to have contact
with them in the near future.
Thank you for all you do for ACDA. As we move forward, we will
need to work together for the good of the organization so that
Gene's legacy will be honored. The Executive Committee will seek
to have an Interim Executive Director in place soon and begin a
national search for the permanent position this fall. We will
discuss this further at our meeting in Sept.
Don't forget to check the ADCA website for specific information
about the funeral home and church locations and addresses.
All the best,
Hilary
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